何爵天導演畢業於香港演藝學院，主修電影導演，2023年憑電影《正義迴廊》獲頒第41屆香港電影金像獎新晉導演獎，最新作品為《死屍死時四十四》。何導演將會𦲷臨中文大學和同學交流創作心得及影圈經驗。

報名請到 : https://forms.office.com/r/bEDMJQbe06

日期：2024年2月6日
地点：伍何曼原樓, 502室

如何在後疫情時代與觀眾建立聯繫並創造文化體驗？這個問題對於藝術和文化場地、 機構、團體以及個人藝術家的可持續發展非常重要。本次講座將以高雄為例，探討藝術和文化場地如何滿足公眾對藝術、學習和娛樂的需求，通過超越演出的方式與公眾建立聯繫，全面打造本地的錨點, 透過建構文化身份在藝術生態系統和公眾之間建立關係， 有效地推動當地社區的發展。

講者簡介：

黃國威畢業於倫敦藝術大學中央聖馬丁藝術與設計學院藝術及文化企業文學碩士及香港浸會大學歐洲研究學士課程。歷任香港藝文場館及表演團隊之國內外節目企劃統籌、品牌行銷、國際交流及行政管理工作，2006年加入香港城市當代舞蹈團，2014至2021年委任為舞團之行政總監，2021年起任職高雄衛武營國家藝術文化中心營運副總監，管理品牌、觀眾參與及訪客體驗之相關業務。

日期：2024年3月15日 星期五

時間：下午6:30 – 8:00

地點：香港中文大學 康本國際學術園, LT9 演講廳

如有興趣參加是次講座，請於下列網址登記：

https://forms.office.com/r/7LC630vGcV

日期：2024年3月15日

適逢文化管理文學士課程踏入十周年，本課程將舉辦一連串精彩活動，與在學師生、畢業生、以及公眾人士等一同分享喜悅，邁向下一個十年。

文化管理文學士課程將於1月13日舉辦題為「Art Branding: The Making of Chocolate Rain」的公開講座。是次講座邀得Chocolate Rain創作總監麥雅端 (Prudence Mak)小姐主講。

如有興趣參加是次講座，請於下列網址登記：(參加者有機會獲得精美紀念品乙份)

https://cloud.itsc.cuhk.edu.hk/mycuform/view.php?id=1826907

日期：2023年1月13日
地点：香港中文大學 康本國際學術園 5樓 505室

講座簡介：

如何能成功創作和經營一個本地文創品牌？過程中有何挑戰和考驗？Chocolate Rain作為近年本地創作品牌裡其中一個非常成功的案例，是次文化管理文學士課程講座系列邀請了Chocolate Rain創作總監麥雅瑞小姐 (Prudence Mak) 分享她一手創立的Chocolate Rain 品牌的成長故事，從中解構文創品牌的誕生、設計理念、經營手法及如何邁向國際。

講者簡介：

麥雅端 (Prudence Mak)，生於香港，畢業於本地藝術系，Chocolate Rain創作總監。2008 年獲香港青年設計才俊大獎獎學金到倫敦中央聖馬丁設計學院修讀碩士課程，並於2012年榮列香港十大傑出青年。2004年至2016年擔任香港設計師協會執委成員。

文化管理文學士課程將於3月14日舉辦題為「藝術品法律及有關爭端的解決 – 概述」的公開講座。是次講座邀得天博大律師事務所成員周翩洋 (Val Chow) 大律師主講，詳情如下：

日期：2023年3月14日 星期二

時間：下午6時30分至8時

地點：香港中文大學 伍何曼原樓5樓 502室 (地圖)

廣東話主講

如有興趣參加是次講座，請於下列網址登記：

https://cloud.itsc.cuhk.edu.hk/mycuform/view.php?id=1497408

講座簡介：

藝術市場的規模在過去數十年中顯著擴大，因此，除了其審美目的外，藝術品被越來越多地被用作投資用途。然而，由於藝術市場因高度缺乏監管，從而有機會引起種種法律問題及糾紛。本講座旨在概述與藝術相關的主要法律爭議及法律風險，包括藝術品的買賣、所有權糾紛、真偽爭議和智慧財產權。此外，本講座還將探討數碼藝術的崛起及其法律影響。

講者簡介：

作爲天博大律師事務所的成員，周翩洋大律師主要從事民事及商業訴訟、仲裁、金融法、證券法、公司法、信託法和監管爭議等範疇。周翩洋大律師亦於藝術品糾紛方面擁有豐富經驗並於2020年獲海牙國際藝術仲裁院委任為仲裁員名單成員。

日期：2023年3月14日
地点：Venue: WMY502, 5/F, Woo Ho Man Yuen Building, CUHK

In late March, we highly appreciated to have Prof. Stacey Pierson, Professor of the History of Chinese Ceramics at SOAS, University of London, to visit CUHK and provide us a public lecture. All are welcome to attend this fruitful academic exchange activity.

The public lecture will be held on 28 Mar (Tue). Please find the details below:

Date: 28th Mar 2023 (Tue)
Time: 6:30pm – 8:30pm
Venue: Lai Chan Pui Ngong Lecture Theatre (LPN LT), Y. C. Liang Hall, CUHK
(MAP: https://goo.gl/maps/HuVHAnp5SJ3x4FNu6 )
(Please take the free CUHK Shuttle Bus no.1A or 1B at the University Station, Exit A, to “Sir Run Run Shaw Hall” bus stop. Shuttle Bus information could be found here: https://transport.cuhk.edu.hk/route/1a/ )

Language: English

For those interested, please register via the following link by 27 Mar 2023 (Mon):

https://cloud.itsc.cuhk.edu.hk/mycuform/view.php?id=1799180 

About the Lecture:

This lecture examines the history and role of museum and court collections in defining and representing ideas of power and nationhood. Beginning with a history and analysis of court art collections in Europe and Asia, the formation, contents and functions of collections such as those of the Medici princes and the Qianlong court will be considered from the perspective of audiences and viewers. The lecture then considers the development of government spaces that were open to the public by design, in the form of national museums that first emerged in Britain in the 18th century, alongside Enlightenment ideas about knowledge and public education. The important role such museums played and continue to play in defining national identities will be explored, revealing the often tangled politics of display and representation in the museum space.

About the Speaker:

Prof. Stacey Pierson is Professor of the History of Chinese Ceramics at SOAS, University of London. In addition to teaching and supervising research students in the School of Arts, she is President of the Oriental Ceramic Society (London) and series editor for the Routledge title Histories of Material Culture and Collecting, 1550-1950. Previously, from 1995 – 2007, she was Curator of the Percival David Foundation of Chinese art, also at the University of London, which housed the world-renowned Percival David collection of Chinese ceramics. She has published widely on aspects of Chinese ceramics and the history of collecting and exhibitions, including Collectors, Collections and Museums: the Field of Chinese Ceramics in Britain: 1560-1960 (2007), Chinese Ceramics: a Design History (2009), From Object to Concept: Global Consumption and the Transformation of Ming Porcelain (2013), Private Collecting, Exhibitions and the Shaping of Art History in London: the Burlington Fine Arts Club, 1866-1950 (2017) and the edited volume Visual, Material and Textual Cultures of Food and Drink in China, 200 BCE – 1900 CE (2022), Colloquies on Art and Archaeology in Asia, no. 25 (2022). Her most recent research project focused on Dr. Johnson’s Chinese teapot, which is on display in the British Museum.

日期：2023年3月28日

*CUMT4001 Integrated Studies in Cultural Management course related lecture

The talk will provide an introductory overview of the legal aspects of working in the art industry. Topics covered include authenticity, agency relationship, resolution of art dispute, intellectual property and moral rights, and legal issues related to NFTs.

Mr. Val Chow (周翩洋大律師), Temple Chambers

Val has a broad civil and commercial legal practice and is experienced in advising listed companies, regulators, financial institutions, liquidators, directors and shareholders on a range of financial, securities, company, trust and regulatory matters. He has been named as a Leading Junior Barrister for Commercial Disputes in Hong Kong by The Legal 500 (2021) and is a member of the pool of arbitrators of The Court of Arbitration for Arts at The Hague. He is a Fellow of the Chartered Institute of Arbitrators and the Hong Kong Institute of Arbitrators.

Date : 28 March 2022 (Monday)
Time : 10:00a.m. – 12:15 p.m.
Guest Speaker : Mr. Val Chow (周翩洋大律師), Temple Chambers
Format : ZOOM online platform
Language : Cantonese (with PowerPoints slides in English)
Registration : Please register for the event by 23 March 2022 from ↴ https://cloud.itsc.cuhk.edu.hk/mycuform/view.php?id=1497408

日期：2022年3月28日

The BA Programme in Cultural Management is going to hold ‘Cultural Management Online Lecture Series 2020’ in September 2020, which are delivered by various guest speakers including Prof. HO Chui Fun, wen yau (Dr. N W LAW) and Dr. JIA Zhen. Please find the information of each online lectures below for your interest. Thank you.

1^st Online Lecture: Art Museum Processes in Contemporary China 

Speaker: Prof. HO Chui Fun

Date：11 September 2020 (Friday)

Time：12:00nn–13:30pm

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJUvfuusqjwjHtGM73PoY7BzPZISnfrhEbOb

Registration Deadline: 9 September 2020 (Wednesday)

2^nd Online Lecture: Curating the Commons: Engagement through Dialogues

Speaker: wen yau (Dr. N W Law)

Date：18 September 2020 (Friday)

Time：12:00nn–13:30pm

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJMvf-ihpzgvGN3Tx3wlFFC8Bf1pcW_POZz6

Registration Deadline: 16 September 2020 (Wednesday)

3rd Online Lecture: The Face of Compatriots — Representing “compatriots” in Chinese propaganda posters of the Mao era (c.a. 1949-1976)

Speaker: Dr. JIA Zhen

Date：25 September 2020 (Friday)

Time：12:00nn–13:30pm

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJUlcemopjItG9OD9AoqDdyeQTn-ZloAtfAa

Registration Deadline: 23 September 2020 (Wednesday)

If you are interested to join, please kindly do registration through each registration link by the stated deadlines.  

ALL are WELCOMED!

日期：2020年9月11日 - 2020年9月25日

The BA Programme in Cultural Management is going to hold ‘Cultural Management Online Lecture Series 2020’ in September 2020. 

The 1st online lecture would be delivered by Prof. HO Chui Fun. Details are as follows:

Art Museum Processes in Contemporary China 

Speaker: Prof. HO Chui Fun

Date：11 September 2020 (Friday)

Time：12:00nn–13:30pm

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJUvfuusqjwjHtGM73PoY7BzPZISnfrhEbOb

Registration Deadline: 9 September 2020 (Wednesday)

日期：2020年9月11日 - 2020年9月11日

The BA Programme in Cultural Management is going to hold ‘Cultural Management Online Lecture Series 2020’ in September 2020. 

The 2nd online lecture would be delivered by wen yau. Details are as follows:

Curating the Commons: Engagement through Dialogues

Speaker: wen yau (Dr. N W Law)

Date：18 September 2020 (Friday)

Time：12:00nn–13:30pm

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJMvf-ihpzgvGN3Tx3wlFFC8Bf1pcW_POZz6

Registration Deadline: 16 September 2020 (Wednesday)

日期：2020年9月18日 - 2020年9月18日

The BA Programme in Cultural Management is going to hold ‘Cultural Management Online Lecture Series 2020’ in September 2020. 

The 3rd online lecture would be delivered by Dr. JIA Zhen. Details are as follows:

The Face of Compatriots — Representing “compatriots” in Chinese propaganda posters of the Mao era (c.a. 1949-1976)

Speaker: Dr. JIA Zhen

Date：25 September 2020 (Friday)

Time：12:00nn–13:30pm

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJUlcemopjItG9OD9AoqDdyeQTn-ZloAtfAa

Registration Deadline: 23 September 2020 (Wednesday)

日期：2020年9月25日 - 2020年9月25日

The BA Programme in Cultural Management is going to hold second round of ‘Cultural Management Online Lecture Series 2020’ in December 2020

Two of the public lectures are going to be delivered by our professors Prof. Chung Ming Yan Fanny and Prof. Leung Hok Bun Isaac respectively. Please kindly find the details below:

Developing Audiences through Outreach and Education in the Non-Profit Performing Arts Institutions of Hong Kong: Toward a Utopian Model

Speaker: Prof. Chung M.Y., Fanny

Date：8 December 2020 (Tuesday)

Time：12:00nn–13:30pm

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJMrcuyurDMuH9YImq9SDK8L_JyDFN3QvmI0 

Registration Deadline: 6 December 2020

China dream – An ethnographic study of the recent private museums and China’s cultural policies

Speaker: Prof. Leung H.B., Isaac 

Date：9 December 2020 (Wednesday)

Time：12:00nn–13:30pm

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJMrdu2uqj4jGtW1uINvT-_Gox73MUCorWoR

Registration Deadline: 6 December 2020 

日期：2020年12月8日 - 2020年12月9日

The BA Programme in Cultural Management is organising the anotherround of ‘Cultural Management Online Lecture Series ’ in December 2020, which are given by various professors and guest speakers. 

We are honored to have Prof. Chan Pui, Pedith and Dr. Baecker Angie respectively for public lectures. Please find the information below for your interest. 

1^st Online Lecture: 

Exhibiting Chinese Objects in Republican China

Speaker: Prof. Chan Pui, Pedith

Date：17 December 2020 (Thursday)

Time：15:00 – 16:30

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJcqcOCoqTopGtWR420ktxxKcIcvbEzzijYr

Registration Deadline: 15 December 2020 (Tuesday)

2^nd Online Lecture: 

The Laboring of Art: The Rise of Socialist Amateur Art Practice and the Arrival of the Contemporary in the People’s Republic of China

Speaker: Dr. Baecker Angie

Date：18 December 2020 (Friday)

Time：12:00 – 13:30

Format: Zoom

Medium：English

Registration Link: https://cuhk.zoom.us/meeting/register/tJYocOuhrDksHNwFm2aTBioe7hRVFmQcw4yx

Registration Deadline: 15 December 2020 (Tuesday)

日期：2020年12月17日 - 2020年12月18日

Taking the middle way.

Early exhibitions of modern Chinese painting organised in Europe in the 1920s and 1930s

Date：14 January 2019 (Mon)

Time：1:30pm – 3:15pm

Venue：C5, T.C. Cheng Building, CUHK

Medium：English

The talk will introduce the first exhibitions of modern Chinese paintings in Europe, which were organised between the mid-1920s and the mid-1930s by Chinese artists settled in Europe, Chinese teachers and reformists Liu Haisu and Xu Beihong, and the Czech collector Vojtěch Chytil. During less than a decade, many European cultural centres in more than ten countries saw a large selection of modern Chinese ink painting and in a number of places, the exhibitions became a starting point of the subsequent formation of museum collections of this material. The talk will discuss both, the strategies of the organisers of these shows, and the impact on local art scenes and public collections. A comparison of different types of these exhibition projects will bring to light specific aspects of the official exhibitions organised by Liu Haisu and Xu Beihong, as well as those put together by the private collector Vojtěch Chytil.

A piece of China in Prague.

The Czech painter, teacher and collector Vojtěch Chytil and his collection of modern Chinese painting in the 1920s and 1930s

Date：17 January 2019 (Thur)

Time：5:30pm – 7:00pm

Venue：Lecture Theatre 4, Cheng Yu Tung Building, CUHK

Medium：English

Vojtěch Chytil belonged to the European enthusiasts, who traveled to the Far East in the inter-war period, settled in China and became enamoured with her culture and art. Being an artist himself, Chytil had a unique position among European lovers of Chinese art. During his tenure at the Beijing Art College in the 1920s, he befriended artists such as Qi Baishi, Chen Banding, and Xiao Sun, and subsequently formed one of the largest collections of their paintings in his time. He took his collection to Europe and showed it in more than twenty European capitals and cultural centres. The talk will discuss the unique situation that lead to the formation of Chytil’s collection, some of the most important artworks in his collection and its legacy after Chytil’s premature death in 1936. It will be lavishly illustrated with the masterpieces from the holdings of the National Gallery in Prague, as well as with old photographs and archival materials from a number of public and private collections.

About Michaela Pejčochová (貝米莎)

Michaela Pejčochová (貝米莎) is a Czech scholar specialising in Chinese art and the theory of art in China. She has been working as a curator of the Chinese art collections at the National Gallery in Prague for almost 20 years and has published its unique collection of modern Chinese ink painting in 2008 as Masters of the 20th-Century Chinese Ink Painting from the Collections of the National Gallery in Prague. Most recently, she has completed a monograph focused on the activities of the Czech painter and collector Vojtěch Chytil (1896-1936), where his collection of Chinese, Japanese and Tibetan art is analysed in the context of the inter-war period collecting of Asian art in Europe. Besides modern Chinese art, she has published widely also on old Chinese painting and the theories of Chinese painting of the Song and Ming dynasties.

日期：2019年1月14日 - 2019年1月17日

每個人都有藝術和創作的潛能，欣賞藝術是每一個人的權利。 但是要進一步建立一個藝術共融的社會, 談何容易!
換另外一個角度去問 : 發現自己選擇的創作主題竟與合作對象大相逕庭，或者同一條藝術創作之路似乎出現了瓶頸。當一直堅持的事被推翻；當固有的思維即將被打破；當「藝術家」的身份被挑戰，是否要放下身段，重新審視「藝術」的定義？

日期：2019年2月28日(四)
時間：下午5:00 至6:30
地點：李兆基樓2號演講廳
語言：廣東話主講

日期：2019年2月28日

文化管理課程將於3月19日舉辦「音樂初心: 談新時代中國音樂產業價值與發展」講座。榮幸邀請到講者宗曉軍教授，探討由音樂組成的巨大產業與市場價值。活動詳請如下：

日期：2019年3月19日(二)

時間：下午5:30至7:00

地點：香港中文大學 鄭裕彤樓3樓5號演講廳

語言：普通話主講

音樂，從人類自我情感宣洩抒發而生，是藝術中與我們生活最為接近的；中國流行音樂歷經近百年歷史，出現了無數巨星與偉大的作曲家，音樂所呈現的不僅僅是優美動聽的旋律，動心的歌詞，而且能形成巨大的產業與市場價值。隨著5G時代的到來，萬物互聯；傳統音樂的表達與體驗，數字音樂的出現與新的感受都已形成幾百億新的產值，然而這些產值形成與發展離不開一個原點－音樂初心！

宗曉軍教授
中央音樂學院藝術管理副教授,創建跨學科專業-藝術管理；2003年任中國戲曲學院國際文化交流學科客座教授，2016年受聘於西安音樂學院藝術管理學科客座教授，2018年受聘於大連藝術學院創業學院創業導師、保定學院音樂舞蹈學院藝術管理學科客座教授。畢業於中央音樂學院管弦系大提琴表演專業，及美國邁阿密大學音樂學院音樂商業與娛樂工商管理專業。學術著作包括《音樂商業的秘密》及《藝術管理實戰論1》。

日期：2019年3月19日 - 2019年3月19日

The BA Programme in Cultural Management is going to presents a far-reaching and discursive public lecture on “Four Museums and a Hidden Collection: Curating the Public, Private and Liminal Space” delivered by Mr. Adrian George. Please find the information and poster below for your interest. Thank you.

Date：25 March 2019 (Mon)

Time：17:00 – 18:30

Venue：Lecture Theatre 1, Lee Shau Kee Building, CUHK

Medium：English

A personal exploration through a twenty year curatorial career that spans working at one of the most important contemporary art museums in the world, to working for one of the largest collections of British art in the world, to making exhibitions in an iconic private museum that, at just 7 years old, is already one of the most visited destination museums in South East Asia.  Questioning the definition of ‘public’ and ‘private’ in the 21st century cultural sector as well as the influence of a rapidly expanding and evermore diluted global art world, this presentation will be both far-reaching and discursive.

About Mr. Adrian George

Adrian George is a curator, commissioner and educator with over 19 years experience working in some of the most influential art institutions in the world including the New Museum, New York; Tate Modern; Tate Liverpool and the UK Government Art Collection, UK which represents British visual culture in over 300 locations around the world.

Adrian is an author and art critic. His publication The Curator’s Handbook (Thames & Hudson 2015) is available in six languages and is used as a foundational text in many curating courses. A member of the International Association of Art Critics his text Minimalism: A Circular Timeline of Nothingness was published last year.

Adrian is a National Advisor to the Arts Council of Wales, a selector for Wales in Venice at the Venice Biennale 2017 selecting James Richards and 2019 selecting Sean Edwards. He is an advisor to the Board of the Bomb Factory Art Foundation, London – an artist run studio and gallery space housed in an old ammunitions factory, and until November 2017 Adrian was a Representative at Court of the Royal College of Art, London.

Adrian is currently Associate Director and Head of Exhibitions at ArtScience Museum, Singapore, where he is responsible for a team of curators, project managers, designers and technicians who conceive and deliver up to five exhibitions per year across 21 gallery spaces totaling 5000sqm. His most recent curatorial project – a collaboration between ArtScience Museum and National Gallery Singapore – titled Minimalism: Space. Light. Object – runs until 12 April 2019 and was listed as one of the most influential exhibitions in SE Asia in 2018.

日期：2019年3月25日 - 2019年3月25日

文化管理課程將於3月28日舉辦「構建中國美院藝術管理學科的設想」講座。榮幸邀請到中國美術學院單增教授作為是次講座的講者，探討歷史悠久的中國美術學院如何拓展新學科建設及推進藝術管理共同體。活動詳請如下：

日期：2019年3月28日(四)

時間：下午5:00至6:30

地點：香港中文大學 李兆基樓3號演講廳

語言：普通話主講

中國的藝術院校今年有70萬人報考，多數都報考藝術設計學和美術學方向的專業。藝術管理專業2017年被中國教育部列入學科目錄，如何探索中國藝術管理教育體系？如何在已有90年歷史，學科門類齊全的中國美術學院設置新學科，如何推進藝術管理共同體，新學科建設需要如何拓展？

單增教授 – 藝術家、中國美術學院教授、藝術管理與教育學院副院長、藝術管理系主任

畢業於浙江美術學院油畫系，德國卡塞爾大學、柏林藝術大學，曾任教於浙江大學、中國美術學院雕塑與公共藝術學院，現任中國美院藝術管理與教育學院副院長、教授。作品涉及繪畫、雕塑、裝置。曾策劃多項國內外展覽。柏林天軸國際邀請展、柏林E-時代水墨邀請展，杭州第三屆西湖雕塑國際邀請展，首屆杭州纖維藝術三年展等。

日期：2019年3月28日 - 2019年3月28日

Presented by K11 Art Foundation x ERCO Lighting, an exhibition about contemporary art named “Glow Like That” would be held from March till May 2019. To understand the exhibition more as well as the stories behind the scene, a tertiary institution talk series on “Museum and Architectural Lighting” has been presented by K11 Art Foundation and the BA Programme in Cultural Management to talk about basic lighting design as well as offering insights on how lights are integrated into museums and other architectural settings. Students are also invited to join a professional-led guided tour to exhibition venue at Victoria Dockside, a brand-new cultural landmark in the city, to learn about the various lighting techniques applied on-site. For students who are interested in the talk or the guided tour, please register here: https://goo.gl/dDPJrV. For more details, please find the information and poster below. Thank you.

Tertiary Institution Talk Series

Date      :               3 April 2019 (Wed)

Time      :               16:30 – 18:00

Venue  :               Lecture Theatre 6, Yasumoto International Academic Park, CUHK

Content:              Space planning is not just about how things are laid out and decorated. A designer must also consider lighting in order to enhance the functions of the space and create visual effects or mood. Hosted by lighting experts from ERCO Lighting, this talk will show you the basics of lighting design, offering insights into how lights are integrated into museums and other architectural settings.

Exhibition Guided Tour

Date     :           6 April 2019 (Sat)

Time     :           11:00 – 13:00

Venue  :           21/F, K11 Atelier, Victoria Dockside, 18 Salisbury Road, Tsim Sha Tsui, Hong Kong

About the exhibition “Glow Like That”

Light is not only a natural phenomenon but also a product of technological advancement. It is an empty signifier awaiting a narrative; it is undefined, fuzzy at the edges. Fluid and amorphous, light therefore has endless possibilities. When interacting with light, certain kinds of surfaces take on an iridescent sheen or reflect their surroundings, producing a shimmering or radiant “glow”. Presented by K11 Art Foundation as the first contemporary art exhibition held in Victoria Dockside, Glow Like That features 16 artists and collectives from countries including China, the US, and Japan, showcasing an impressive array of paintings, video works, sculptures, and installations. While some of the works demonstrate the various forms of “glow” characteristic of this light-saturated era, others reveal their functions and symbolic significances in contemporary society.

Brimming with beautiful imagery associated with light, Glow Like That also echoes the spectacular harbour view that the exhibition space overlooks. From the vantage point of Glow Like That in Victoria Dockside, visitors will feast on the opulence of the gleam and glimmer of the city. The glistering waves of the harbour and the exhibition shine a light on each other, bolstering one another’s splendour and sparking ruminations on the relationship between light and everyday life.

(Quoted from the official website: click here)

About K11 Foundation

Founded by Adrian Cheng in 2010, the K11 Art Foundation is a registered not-for-profit organisation that advances the development of the Chinese contemporary art movement. The Foundation has been providing the creative incubating platform to nurture artistic talents in Greater China and bringing them to the international stage and the broader audience. Apart from embarking on creative collaborations and cross-regional experimentations regionally and globally to showcase Chinese talents and their full potential, the Foundation also offer the space an platform through the residency programme to many young artists to create and present their works. Through research, initiatives and partnerships, as well as harnessing the passion and energy of the active participants, the K11 Art Foundation facilitates the public to enjoy a diverse array of programmes and exhibitions to cultivate the interests in and raise the collective appreciation of arts and culture.   Visit the official website: http://www.k11artfoundation.org 

About ERCO

ERCO is a leading international specialist in architectural lighting, using 100% LED technology. The family business, based in Lüden­scheid, in the heart of Germany, now operates as a global player with independent sales organisations and partners in 55 countries worldwide. Founded in 1934, ERCO pioneered architectural lighting across Europe in the 1960s, and today, less than 50 years later, is the first established luminaire manufacturer with a portfolio based entirely on LED technology. Around 1,000 committed and dedicated ERCO ­employees worldwide ensure that LED technology is developed from a pure tech­nology into a sophisticated lighting tool – because perception-orientated lighting design, implemented in the context of efficient visual comfort, is our mission. Focus at ERCO is given to open, interdisciplinary and international cooperation: While our ERCO luminaires are developed and produced carefully and with an eye on the future by our team at the Lüdenscheid Light ­Factory, our competent and motivated consultants at international ERCO sales offices ensure that they are used in thousands of different applications around the globe. We would be delighted to offer you the possibility of experiencing ERCO lighting tools in operation: in any of our ERCO showrooms worldwide as well as in workshops at our headquarters, and of course at trade fairs and other industry events.  Visit the official website: https://www.erco.com/en/

日期：2019年4月3日 - 2019年4月6日

文化管理課程將於9月19日舉辦「宋代香丸製作工作坊」。榮幸邀請到講者唐瑭先生 (海南島製香人)，探討宋代香丸製作及文化。活動詳請如下：

日期：2019年9月19日(四)

時間：下午3:00至6:00

地點：香港中文大學 康本國際學術園四一一室

語言：普通話主講

如有興趣，歡迎與林小姐聯絡 (jtslam@cuhk.edu.hk )。

日期：2019年9月19日 - 2019年9月19日

日期：2018年3月26日
地点：LT4, Cheng Yu Tung Bldg.

當下中國，對於品牌發展戰略的思考已經從企業經營層面上升到了國家戰略層面。國務院以及相關的政府部門，都出台了一系列關於引導品牌發展的政策，對於中國品牌發展做出了頂層設計。中國文化品牌建設呈現快速發展態勢，在演藝、動漫、影視、遊戲、網絡文化等領域尤為突出。

本講座將通過典型案例探討中國文化品牌的發展現狀與問題。

齊悅 副教授 (中國人民大學藝術學院)

現為中國人民大學藝術學院副教授，教授表演藝術營銷與管理、藝術管理與策劃實務、中提琴演奏、室內樂演奏等課程。2010 年被美國美中關係全國委員會和中國外交學會共同推選為“美中傑出青年領袖”。他的個人獨奏跨界音樂會《音樂的天堂》，獲得媒體高度關注。2017 年8 月，他擔任製作人與總導演、由保利出品的系列戲劇音樂會首部《莫扎特的魔法世界》在北京首演，並隨後開啟全國巡演。

日期：2018年4月6日
地点：香港中文大學 潤昌堂 黎陳佩昂演講廳

粵劇和粵曲是香港的傳統演出藝術，比任何其他演藝形式有更悠長的歷史，也有更蓬勃的發展。時至本世紀初，估計香港平均每年有一千場以上的粵劇、粵曲演出。會堂、戲院、戲棚之外，粵劇、粵曲的演出也見於不同的場合，包括大學、中學和小學、街頭、公園、歌壇、粵曲社唱局、電台廣播、電視節目，以至網上平台，均在不同程度上反映香港文化的面貌。

本講座簡要講解：神功粵劇與民間宗教和世俗活動；街頭粵曲、歌壇和粵曲社活動；不同的政府單位如何推動粵劇和粵曲的發展；大、中、小學裏的粵劇、粵曲活動；流行曲、電視劇和電影等藝術和娛樂形式如何接受粵劇、粵曲的影響；香港人日常語言中使用的粵劇、粵曲術語；不同年齡和社會界別的香港市民如何看待粵劇和粵曲。

陳守仁教授

陳守仁早年在香港中文大學及美國匹茲堡大學取得音樂學士、碩士及博士學位，1987年至2007年在香港中文大學音樂系任教，講授粵劇、香港音樂、中國音樂等課程，歷任講師、高級講師、教授，並曾兼任大學通識教育副主任。他2008年初移居英國，2015年回香港定居；現從事粵劇劇本研究和劇本整理的工作。

Speaker: Dr. Vivian Li (Associate Curator of Asian Art, Worcester Art Museum, US)

Vivian Li is Associate Curator of Asian Art at the Worcester Art Museum.  In her curatorial practice she endeavors to present Asian art in a global context. Li received her Ph.D. from the University of Michigan specializing in modern and contemporary art in China. She was awarded a Fulbright fellowship which allowed her to conduct research in Beijing and Sichuan from 2012 to 2013.  Li has lectured widely on modern and contemporary art in China as well as global post-1945 art, and has published articles in the journal Art History,  the Oxford Art Journal  and Yishu: Journal of Contemporary Chinese Art.

日期：2018年3月22日 - 2018年3月28日

Fitting Asia into a White Cube
Date: March 22, Thu
Time: 5:30-7:00 pm
Venue: RmG04 Y.C. Liang Hall, CUHK

Technology’s Challenge to Art Appreciation
Date: March 26, Mon
Time: 9:30-11:00 am
Venue: Rm405 Yasumoto International Academic Park, CUHK
*Guest Lecture for CUMT1000, all CUMT students and public attendance are welcome

When Everyone Was An Artist: Art and Propaganda During the Cultural Revolution
Date: March 28, Wed
Time: 12:30-2:00 pm
Venue: Rm703 William M.W. Mong Engineering Building, CUHK
*Guest Lecture for CUMT4005, all CUMT students and public attendance are welcome

中國民俗學會中國香文化研究中心將送贈一套36冊的《中國香文獻集成》予香港中文大學圖書館。為表謝意，我們將於2018年5月8 日舉行贈送儀式，並由中國香文化研究中心主任孫亮先生主講專題講座― 香聖黃庭堅的嗅覺世界。

是次贈書儀式由香港中文大學文化管理課程及國學中心共同籌劃，感謝中國香文化研究中心慷慨贈書。

《中國香文獻集成》

全書36冊，共分為 (1) 古代香文獻 (第1-18冊)；(2) 本草方劑香文獻 (合編為9冊)；(3) 域外香文獻 (合編為4冊)及 (4) 民國香文獻 (合編為5冊) 四部分，為從事香的研究、收藏、教學與生產提供了最翔實的文獻史料。

嘉賓講者―孫亮先生

中國民俗學會中國香文化研究中心主任，松風中國傳統文化研究會會長。崇尚宋代飄逸、簡約的人文精神。運用琴、茶、花、香等中國傳統文化元素，將繼承和傳播中國”修心性” 的文人香事為己任，致力於重塑具有中國傳統人文思想及當代美學精神相結合的生命態度。

日期：2018年5月8日
地点：香港中文大學 梁銶琚樓101室

*普通話主講

日期：2018年11月6日 - 2018年11月7日
地点：香港中文大學 康本國際學術園2號演講廳

語言：普通話

嘉賓講者：朱鳳瀚教授  (北京大學歷史學系)

朱教授於南開大學先後獲頒歷史學碩士及博士學位，主攻先秦研究 、甲骨文、金文、青銅器和簡牘學。他過去曾任南開大學歷史系主任（2000）中國國家博物館常務副館長（2003）、；現為北京大學歷史系講席教授、出土文獻研究所所長，國家文物鑒定委員會委員(銅器組)。著有《中國古代青銅器》、《中國國家博物館館藏研究叢書．甲骨文卷》等。

日期：2018年11月6日
地点：香港中文大學 康本國際學術園2號演講廳

語言：普通話

*本公開講座是「兩周墓地研究與新發現研討會」內的專題演講

嘉賓講者：劉緒教授  (北京大學考古文博學院)

自1983年起任北京大學考古文博學院考古專業老師、博士生導師、教授、學院黨委書記、院長。長期從事夏商周研究和田野發掘工作，參與發掘天馬-曲村遺址、晉侯墓地、周原遺址和琉璃河遺址等重點遺址。國家文物局委任為《20世紀中國文物考古發現與研究叢書: 晉文化》分冊作者。現為北京大學考古文博學院榮休教授。

日期：2018年11月6日
地点：香港中文大學 康本國際學術園2號演講廳

語言：普通話

*本公開講座是「兩周墓地研究與新發現研討會」內的專題演講

日期：2017年10月13日

承真樓 中文大學文化管理課程合辦

日期：2017年11月6日 - 2017年11月7日
地点：香港中文大學 康本國際學術園 2號演講廳
(場外展覽位於康本國際學術園地下展覽區)

為期兩日的研討會邀請到來自中國、台灣、香港、德國、以色列、日本、盧森堡等地共23個單位就著大遺址保護發表演講。研討會共分為3節(7組)，圍繞「商代遺址的發掘及研究」、「商代考古研究」、「大遺址保護的理論及實踐」三大範疇，期望能向外界展示現時商史研究中的發展概況，並就大遺址如何保護、展示和與經濟發展並存等問題進行交流。

對考古研究及保育遺址有興趣的師生透過是次研討會可了解到國內外和香港的大遺址保護方法，從而加深對考古及保育議題的認識，讓更多人關注香港大遺址保育的情況。

日期：2017年3月22日 - 2017年3月24日

Speakers on 22 Mar 2017
Dr. WU Hsiao-yun 吳曉筠, The National Palace Museum
Dr. DENG Fei 鄧菲, Fudan University
Venue: Room 703, William Mong Man Wai Engineering Building, CUHK

Speakers on 24 Mar 2017
Dr. HU Na 胡娜, The National Academy of Chinese Theatre Arts
Prof. Olav Velthuis, University of Amsterdam
Venue: LT6, Cheng Yu Tung Building, CUHK

導演：馬智恆

日期：2017年11月8日 - 2017年11月8日
地点：香港中文大學 李兆基樓4號演講廳

小島之上，海風吹散老人的白髮。 黎連壽口中哼著輕盈自在的漁歌：「大船拋住沱濘頭誒，舢舨送郎賴氏州呀，咪俾東風吹窒你妹娘裙尾呀，細魚投胎潡肚白呀，燈盞無油誒是黑岩 … … 」隨興變奏，調子重覆，與海浪聲載浮載沉。海上風物，生老病死，漁歌歌者唸唸有詞。塔門黎氏靠捕魚維生，漁歌自古口耳相傳，但現在已難覓知音。 黎伯生於戰前，與太太結婚六十餘年，是香港少數精通漁歌的水上人。子女無一從事漁業，也未曾經歷驚濤駭浪的生活，對父親的歌藝竟然未有所聞。

城市之中，昔日漁民黝黑皮膚仍沾滿海鹽。有人以漁歌表演，在社區教育兒童；也有人以漁歌傳道，敬拜上帝。漁歌成了這些水上人心靈的避風港，回首艱苦的前半生，竟能憶苦思甜。日子久了，漁民記憶褪色，漁歌從海上飄到岸上，沉澱成安撫心靈的淡然之音。

龔卓軍教授
國立臺南藝術大學

日期：2017年4月13日
地点：蒙民偉工程學大樓712室

語言：普通話

龔卓軍教授
國立臺南藝術大學

日期：2017年4月10日
地点：李兆基樓1號演講廳

語言：普通話

日期：2016年1月15日 - 2016年1月29日

胡海輝   一條褲製作藝術總監
賴閃芳   應用戲劇及戲劇文學主任

日期：2016年1月26日
地点：黎陳佩昂演講廳 (潤昌堂)

Dr. Casey, Lum Man Kong, William Paterson University

日期：2016年2月15日
地点：Cheung Yu Tung Building – Lecture Theatre

王嵩山教授
台灣逢甲大學歷史與文物研究所教授兼所長、亞太博物館學與文化研究中心主任

日期：2016年4月8日
地点：中文大學梁銶琚樓演講廳 101室

王嵩山教授
台灣逢甲大學歷史與文物研究所教授兼所長、亞太博物館學與文化研究中心主任

日期：2016年4月11日
地点：中文大學鄭裕彤樓LT4 (四號演講廳)

Ms. Beatrice Kaldun,
the Head and Representative of UNESCO Dhaka, Bangladesh

日期：2016年4月18日
地点：Lai Chan Pui Ngong LT, Liang Y. C. Hall

Prof. Poul Duedahl
Department of Culture & Global Studies, Aalborg University of Denmark
Director of the Global History of UNESCO Project

日期：2016年10月24日
地点：Lee Shau Kee Building LT2

承真樓 中文大學文化管理課程合辦

日期：2016年11月4日 - 2016年11月5日