Department of Fine Arts,
CUHK

助理教授

李雨潔

B.A. (Eberhard-Karls-Universität Tübingen); M.A. & PhD. (Ruprecht-Karls-Universität Heidelberg)

 

李雨潔教授於德國海德堡大學獲東亞藝術史博士學位和歐洲藝術史碩士學位。在加入香港中文大學之前，她在嶺南大學教授藝術史和策展。她是雪梨新南威爾士大學藝術與設計學院的首屆 Judith Neilson 當代藝術博士後研究員（2018-2020 年），並曾在倫敦泰特美術館亞洲研究中心（2017-2018 年）及紐約現代藝術博物館（2013-2015 年）任研究職位。
 
她的研究涉及亞洲行為藝術美學、去殖民化鬥爭中產生的藝術史學、以及媒體藝術史。她即將出版的專著Approaching Autonomy  探討後社會主義中國藝術的自治性，她目前的研究專注1990年代以來亞洲和歐洲的現場藝術。她曾聯合編輯以下專書：Xu Bing: Beyond the Book from the Sky (with Sarah E. Fraser, Springer, 2020) and Visual Representations of the Cold War and Postcolonial Struggles (with Midori Yamamura, Routledge, 2021)。

 

* Photo by Chen Etang

主要著作

  1. Approaching Autonomy: Post-socialist Conceptualism in Chinese Art, forthcoming, 2024.
  2. “Gender and Performativity in Xing Danwen’s East Village,” Third Text 170 (May 2021): 389–410.
  3. “Rethinking/Relinking Colonial Ruptures: On Recent Works by Musquiqui Chihying and Hao Jingban,” Australian and New Zealand Journal of Art Issue1 (September 2021): 94–114.
  4. “Behind the Shutter: Disappearance and the Postcolonial Body in Early Sinophone Media Art,” in World Art 11: 2 (June 2021): 177–200.
  5. “Survival Tactics within Cold War Ideologies: Post-Mao Artists on the Tides of Globalization,” in Visual Representations of the Cold War and Postcolonial Struggles: Art in East and Southeast Asia (Routledge, 2021): 175–195.
  6. (co-edited with Midori Yamamura) Visual Representations of the Cold War and Postcolonial Struggles: Art in East and Southeast Asia (Routledge, 2021).
  7. “Translating Happenings: Frog King Kwok’s Abject Play,” Art in Translation, Volume 11, 4 (2020): 417–440.
  8. “Two-Dimensional Installation: The Case of Xu Bing, Gu Wenda, and Yang Jiechang”, in Sarah E. Fraser and Yu-Chieh Li eds., Xu Bing: Beyond the Book from the Sky, Heidelberg: Springer, 2020.
  9. (co-edited with Sarah E. Fraser) Xu Bing: Beyond the Book from the Sky (Heidelberg: Springer 2020).
  10. (exhibition catalog) Affect Machine: Self-healing in the Post-capitalist Era, Taipei Fine Arts Museum, 2021.
  11. 從黑盒子到白盒子: 紐約現代美術館行為藝術的策展，收藏與空間規劃 [From Black Box to White Cube: Curating, Collecting, and Staging Performance Art at the Museum of Modern Art],” 現代美術 188 [Modern Art 188] (March 2018): 6–22.
  12. “He Yunchang: A Buddhist’s Approach to the Unspeakable,” Art Monthly Australasia (September 2019), 66–71.

特邀講座

  1. “Debating Postcoloniality in Taiwanese Art,” School of Philosophical and Historical Inquiry, University of Sydney, 24 September 2020.
  2. “Stoppages, Marginalized Body, and Art’s Provincialism in Taiwan, 1983-1993” Tate Research Centre Conference, Tate Modern, 6 December 2018.
  3. Keynote speech “Southern Theory and Global Art History,” South as Turn, Tainan Art Museum, Taiwan, 25 June 2019.

展覽策劃

  1. 10 January -3 February 2024 – curator, The Ordinary Matters, Leung Fong Oi Wan Art Gallery, Lingnan University
  2. September-December 2021 – co-curator with Gladys Lin, Affect Machine: Self-healing in the Post-capitalist Era, Taipei Fine Arts Museum.
  3. June-October 2019 – co-curator with Shih-yu Hsu, Female Avatar’s Futurist Statement, Taipei Contemporary Art Center, with a series of workshops on feminist writing.

研究專案和獎項

  1. Early Career Scheme (ECS) project, “Live Art 1993-2020: Beyond Black Box and White Cube, Between Asia and Europe,” Research Grants Council of Hong Kong (2022/23)
  2. 2022 Faculty Research Grant, Lingnan University, Hong Kong
  3. 2020 Faculty Research Grant, School of Art and Design, University of New South Wales, Sydney
  4. 2019 Faculty Research Grant, School of Art and Design, University of New South Wales, Sydney