How language has evolved into more than 7000 varieties today remains a question that puzzles linguists, anthropologists, and evolutionary scientists. The genetic-biasing hypothesis of language evolution postulates that genes and language features coevolve, such that a population that is genetically predisposed to perceiving a particular linguistic feature would tend to adopt that feature in their language. Statistical studies that correlated a large number of genetic variants and linguistic features not only generated this hypothesis but also specifically pinpointed a linkage between ASPM and lexical tone. However, there is currently no direct evidence for this association and, therefore, the hypothesis. In an experimental study, we provide evidence to link ASPM with lexical tone perception in a sample of over 400 speakers of a tone language. In addition to providing the first direct evidence for the genetic-biasing hypothesis, our results have implications for further studies of linguistic anthropology and language disorders.
Wu is of great interest for phonological and phonetic investigations because it preserves an ancient feature of Middle Chinese that has already vanished in other Chinese languages – the voicing contrast of initial consonants. It also has a complex tonal inventory. The coexistence of voicing and tonal contrasts indicates that Wu is in a transitional stage of tonogenesis (voicing contrast being replaced by tonal difference). Investigating voicing and tone contrasts in Wu allows us to address historical sound change issues using contemporary data.
The phonetic nature of the phonologically defined “voiced consonants” in Wu remains elusive since there are different realizations: as voiceless but breathy sounds in some Northern Wu varieties (e.g. Suzhou), but as truly voiced sounds in Southern Wu varieties (e.g. Wenzhou). The picture becomes even more complex when the voicing contrast is considered together with tonal registers since there is a consistent mapping between the two features. Interestingly, some tone pairs appear to be merging in Wenzhou Wu. Furthermore, the perceptual cues for the voicing and tonal register contrasts still remain largely unexplored. The present study aims to investigate the phonetic nature of voicing contrast and tonal registers of Wu comprehensively by examining the Southern (Wenzhou) and Northern (Suzhou, Kunshan) Wu varieties using both acoustic and articulatory measures. Second, it will explore the interaction between the voicing of initial consonants and tonal register in perception. Third, it will explore the on-going changes of the voicing contrast and related tonal changes by surveying different age groups. Fieldwork on-site with electroglottography (EGG) and acoustic recordings is used to investigate the articulatory and acoustic features of the voicing and tonal register contrasts and their interactions. Perceptual experiments with controlled acoustic parameters are conducted to assess the perceptual cues that distinguish the two types of contrasts. This project not only will be the most comprehensive phonetic investigation of the voicing contrast and tonal register contrasts in Wu to date, documenting the unique linguistic features of Wu before they vanish like in other Chinese languages, but will also provide critical data to investigate the on-going sound change processes that can shed light on historical changes in voicing and tonogenesis in general. Finally, many young speakers can no long speak Wu with native proficiency due to strong Mandarin influence in recent years. This project can help document the Wu language for future generations.
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During the Wudi’s reign, the Han dynasty launched series of military campaigns in Lingnan (present-day Guangdong, Guangxi, and northern Vietnam) and incorporated the used-to-be peripheries into the Huaxia system.
Previous studies on archaeological discoveries in Han’s southern frontiers often focus on the issues of migration and assimilation evidenced by burial records as well as the establishment of ruling towns. Yet, the integration of local societies into the new imperial system has long been overlooked. In this talk, Prof. Lam will introduce his projects in Chenzhou (southern Hunan) and Henoi (northern Vietnam) with regard to the transformation of the bronze production system before and after the arrival of the Han empire. In particularly, the talk will introduce how scientific analysis of bronzes can shed new light on the relationship between political changes and production system for daily goods.
Organiser: Research Programme for Chinese Archaeology and Art
Speaker: Prof. LAM Weng Cheong [Department of History and Anthropology, CUHK]
Date: 30th July, 2021 (Friday)
Time: 4:00-5:30PM
Platform: Live Streaming on ZOOM Webinar
Language: Mandarin
For Inquiries, please contact through email: rpcaa@cuhk.edu.hk or by phone: 39430454
Other Upcoming Events
17 Year One students of the Master of Arts in Fine Arts programme, including Lee Kwun Leung Vincent, Jean Tsoi, Wong Chun Yan Esther, Tezuka Ng, Man Chin Hui, Kam Cheuk Lam Lum, Irene Law, Anne Chow, Helen Wai Chi PANG, Lau Siu San, Peggy Chan Sze Wan, Janice Wong Yuen Yee, Limin Xu, Alice Ieong, Jeff Cheng Tsz Fung, Iris Wong and Frank Freeman will also exhibit their learning outcomes in the first-year study of the programme.
The exhibition, titled 'Átopos', represents the remarkable individuality and temperament of these 17 students and their experiences. The uniqueness of each student will indeed give remarkable impacts on each of them and inspirations for their long-term art pursuits. Átopos - Socrates' enemy of debates described him in this way: strange, absurd, and difficult to be categorized. Roland Barthes adopted this term in one of his great works, Fragments d’un discours amoureux, to describe a relationship of a couple, in which your companion is always unique.
Probably the encounter of these 17 students is also like Átopos, which is hardly categorized nor comparable. During the process of their artistic explorations, they bear a kind of competitive but precautious mindset, whereas they undergo a complementary kind of mutual nourishment. Their relation is rational, as well as an indescribable spiritual feeling.
Other Upcoming Events
The Department of Fine Arts of the Chinese University of Hong Kong is delighted to present the 'eight∞n: The Master of Arts in Fine Arts Graduation Show 2021', which will be held from 12 July to 30 July 2021 in Gallery I of the Art Museum of the Chinese University of Hong Kong. The artworks of 18 graduates will be exhibited.
The exhibition is titled 'eight∞n', suggesting that the path of art pursuit is boundless and endless. In the 2-year process of art learning, the 18 graduates have inspired and supported each other, empowered by the spark of art, and turned that into infinite possibilities. The number '8', rotated horizontally, is turned into the symbol of infinity '∞'. 'Infinity' derives from the Latin word 'infinitas', which has the meaning of 'limitless extent'. Same with art – not constrained by pre-existing concepts and media, art demonstrates its quality of inclusiveness. As such, infinite inspirations, strength and possibilities are to be found. Believing that art is irreplaceable in the era of fluctuation and uncertainty, the graduates explore their own propositions with a vision to the unknown future.
The 18 graduates include: Elize Chan, Jess Chau, Keith Cheng, Hay Cheung, Jady Cheung, Joseli Cheung, Ceci Fok, Chantal Fok, Hana Gui, Carmen Hui, Vincent Lai, Giraffe Leung, Henry Poon, Coco Ray, Haynie Sze, Elaine Tang, Chris Wong and Sanchez Yang. Coming from various backgrounds and carrying different stories, such as being a mother, a teacher, a film art director, a designer, an architect, or a Chinese medicine practitioner, the graduates extend their creativity through different media including painting, photography, video and mixed media installation.
Among such, Ceci Fok's graduation work 'What the Zoo' has just been exhibited outside the campus in a dual exhibition. Ceci is a practicing film art director. In her work, she transformed the two-storey art space into a movie set for visitors' own experience. Her work was inspired by the 2 unlocked cages of animals in the zoo. The domesticated creatures will choose to remain in the cage even if it is not locked.
Another graduate, Giraffe Leung, has lately been regarded as an emerging star in the art field. During the course years, he has been continuing to respond to social issues with art forms and has aroused widespread attention. His graduation work 'Not a Community Guided Tour', exploring the relationship between people and society through art, will also be exhibited.
For more information and photos of the graduates' works, please refer to the following link:
https://drive.google.com/drive/folders/1sQcJF1GqURCNPQygtHo8CtF6WwFp2y1g?usp=sharing
Other Upcoming Events
日期:2021年1月22日(星期五)
時間:下午3時至4時
講題:從《毛詩補傳》看戴震經學訓詁與小學訓詁之畛界
講者:馮勝利教授
語言:普通話
日期:2021年2月26日(星期五)
時間:下午3時至4時
講題:從《日記》看一九四九年後的三個葉靈鳳
講者:樊善標教授
語言:普通話
日期:2021年3月26日(星期五)
時間:下午3時至4時
講題:奇文共欣賞,疑義相與析:重讀《史記.廉頗藺相如列傳》
講者:何志華教授
語言:粵語
日期:2021年4月30日(星期五)
時間:下午3時至4時
講題:因情成夢,因夢成戲:湯顯祖「臨川四夢」的思想與藝術
講者:華 瑋教授
語言:普通話
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Break Out: IPNHK Reading & Dialogue Series is a virtual extension of the International Poetry Nights in Hong Kong (IPNHK). Break Out series will invite world-renowned poets to lead readers out of the perceived hopelessness. Poetry has the potentials to give expression to this complex global trauma through connecting elevated words to knocked-down worlds, to break us out from psychological isolation by liberating imagination, and most of all to heal the soul of humanity. The first phase of the Break Out series from May to September 2021 consists of 7 online poetry readings by Shuntaro Tanikawa (Japan), Tian Yuan (China), Adonis (Syria), Jan Wagner (Germany), Bejan Matur (Turkey), Nikola Madzirov (North Macedonia), Forrest Gander (USA), Bei Dao (China), Mang Ke (China), and Zhou Yunpeng (China).
Other Upcoming Events
We are delighted to announce that Professor Lam Weng Cheong, Assistant Professor of the Department of Anthropology and Department of History, has received the SCGE Exemplary Teaching Award in General Education 2019 in recognition of his outstanding contribution to course design, teaching and learning activities, and tutelage in the General Education courses. Professor Lam has been highly acclaimed as a teacher with an “impressive teaching philosophy” by the Senate Committee on General Education.
In order to help students better understand archaeology, Professor Lam adopts various teaching tools to engage students and stimulate their interests in learning, he particularly includes field trips in his courses to expand students’ awareness and create further interests towards the study of human cultures.
We are delighted to announce that Ms Olive Cheung, Senior Lecturer of English Language Teaching Unit, has received the Vice-Chancellor’s Exemplary Teaching Award 2019 in recognition of her commitment and contributions to English language teaching.
Ms Cheung shared her convictions on teaching: “The pivot of our work at the English Language Teaching Unit is to help students become effective and responsible communicators in a globalized community and to equip them with the language skills required to succeed in their academic and professional pursuits, a goal which I hope to have achieved through building coherent language courses that answer the needs of the target student body.”
Ms Cheung also expressed gratitude to her mentors and colleagues for being her role models. Why do students matter most to her? “I sincerely thank my students, who keep my work challenging and fulfilling every day,” Ms Cheung said.
The Vice-Chancellor's Exemplary Teaching Award Scheme was launched in the year 1999 to give recognition to outstanding teachers. 21 teachers from 10 Departments and Teaching Units in the Faculty of Arts have received the Award to date.
We are delighted to announce that four of our faculty members and postgraduate students have received the following university-wide awards in recognition of their commendable research efforts and accomplishments in their respective fields.
Research Excellence Award 2019-20
Professor Lai Tsz Pang John, Department of Cultural and Religious Studies
Professor Zhong Lei, Department of Philosophy
Young Research Award 2019
Professor Jeremy Yellen, Department of Japanese Studies
Postgraduate Research Output Award 2019
Ms. Ina Goel, Department of Anthropology